Middlemarch 2.0

Dorothea, of Middlemarch, imitates Christ in offering a wide and generous grace to the despairing doctor, Lydgate. The grace that she offers is as profound– and as profoundly affecting– as it is simple: she believes in him. More precisely, she believes in him when everyone else, including his wife, suspects him of a gravely dishonorable and shameful act. Dorothea offers him a lifeline when he, Lydgate, is drowning in despair.

What she offers is so simple, and so beautiful. It’s the essence of love that she offers him, purified of the self-interest that attends to romantic attachment. Or– to change the metaphor– she sees him, and does not judge. It is under this accepting gaze that we are confirmed as precious in the world.

Here is the passage:

“You [Dorothea] want to decide whether you should give a generous support to the hospital,” said Lydgate. “I cannot conscientiously advise you to do it in dependence on any activity of mine. I may be obliged to leave the town [on account of being socially outcast].”

He spoke curtly, feeling the ache of despair….

“Not because there is no one to believe in you?” said Dorothea, pouring out her words in clearness from a full heart. “I know the unhappy mistakes about you. I knew them from the first moment to be mistakes. You have never done anything vile. You would not do anything dishonourable.”

It was the first assurance of belief in him that had fallen on Lydgate’s ears. He drew a deep breath and said, “Thank you.” He could say no more; it was something very new and strange in his life that these few words of trust from a woman would mean so much to him. [Emphasis added]

via What George Eliot Teaches Us : The New Yorker.

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2 thoughts on “Middlemarch 2.0

  1. Self-freed seeing. I had never thought of it quite that way–agape vision. Thanks, Chris. Always thanks.

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